Showing posts with label poetics. Show all posts
Showing posts with label poetics. Show all posts

Saturday, February 26, 2011

Day 689 (Tidbits)

Time for a return to our thinking caps for Blake's Day 689 on what is becoming a very content-filled, art-filled, poetry-filled, commentary-filled THE 800 DAYS blog!

What you'll find for the Day 689 post are two complementary pieces of poetry. The title of one - "Quetzecoatl" - will conjure up images and concepts to your mind from an ancient age. The title of the other - "War Party - A Poem To Bring Our Troops Back Home Where They Belong" may allow you to stay firmly grounded to the present, but regardless, the pieces aren't drastically opposing to each other.

Each poem has a meaning and urgency in its own right, however, the "War Party [...]" poem seems to display a whole lot of repetition - and this poem is of greater length, so the feel of it is that it is of a more urgent tone than the Quetzocoatl piece. I think the Quetzocoatl poem may just be more condensed, is all, and both poems require focus and attention.

My favourite lines of Quetzecoatl:

There were strange days upon me and my body and race
I can hear, as I'm fighting, as I take up the bottle
I am drinking it down with my Quetzecoatl...

[lines 6, 7, 8 above, balanced with lines 28-31 below]

Asking a deep sleepwalker in the waiting abyss
To remit, and the Father will not question your fear
As the dreams come out of the little glass bottles
Making my choice just like Quetzecoatl...


My favourite lines of the 2nd poem:

Before we're going through something
That's so much worse than any of it was before as
If you are pledging allegiance to the war
It feels just like it did before once more
Underground and overboard it feels just like before
You are actually giving something that isn't yours
You are actually giving something that isn't yours

[lines 26-32 in one consecutive line block]

I appreciate the attention to balance in the first poem while I found something different to appreciate in the longer poem - repetition. I supposed the first poem is written with limited wording so its lines make each message more clear, while the longer 2nd poem has length for repetition. I found in the latter, the repetition has the effect of reminding one of bullets fired over and over again - repetitive military movement - calisthenics, even repetitive words such as are used with brainwashing...

In the first piece, there is something about the bottle mentioned, then returned to (balance) that adds to the sublime quality of the piece. In the second poem, sublimity is enhanced by the repetition of forceful words - words clearly understood the first time they were read but repeated nonetheless 'til we're almost dizzy with the repetition (perhaps Blake is trying to brainwash us! lol). For the first poem, we're taken into sublimity with the hint of what's in that bottle...for the second piece, we're brought to sublimity by having our senses assaulted - apt title on that 2nd piece with the word "War" in it...

Interesting...

I'll let others interpret from here...

The Day 689 post is associated with Monday January 21 2011.

Monday, January 10, 2011

Day 713 (Tidbits)

More of Blake's poetry is featured in the Day 713 entry over on THE 800 DAYS BLOG.

The first two lines of the poem set the mood and state unquestionable truths to hold in the mind while navigating through the rest of the poem:

"Everything lives in motion
Everyone is lost in chaos"

In my interpretation, these lines state the obvious, present state of things. In the temporal world of the poem, readers are quickly plunged from a present-day statement and into the truths of the past, the first 12 lines dedicated to addressing our current state of being and our world right now - and after line twelve - the words seem designed to take us straight to the ancient Elders and deities...

"As...
The temples of the Elders hold the magic
The sun god he predicts the final days [...]"

The words directly relate to ancients at the same time as to these these blogs, the 800 DAYS (Countdown) Project, as well as honouring what is known about the ancients, the Mayan Calendar, Mayan culture, past and present bloody and spiritual sacrifices that have been and are inherent in our world... A nice fusing of past and present.

The poem is artistic - but is also so much more. A condensed history of the past is contained in the words.

Here's a warning for you all...

The poetry is beautiful, attractive - so look past the beauty and into the messages here - THINK! Think hard - look for the metaphors, stop at the ends of lines to pause and THINK about what is unfolding line by line...

...the events Blake voices so wonderfully in his poetic words - are about ancient events - murder, treachery, transgressions against humankind's spiritual considerations - by other human groups - all of this runs so very deep in the history of the existence of people...

Perhaps using poetry to tell truths such as the ones here is the only way to make our historical wrongs against humanity available to a wide-spread audience. We're conditioned to like pretty things, right?

Kudos to Blake for inserting reality, past, present and truths into his works and not giving us cute-sie bubblegum eye candy passages in his poems.

In my opinion, the most powerful lines of the poem:

"But by the hands of a man
We followed the ancient rituals
But had forgotten the ancient pride
We surrendered to the legions our cities of gold
And we left our cities of stone, and our temples in the sky"

Perhaps if we keep reading, keep thinking, keep searching and pay attention to how to use our whole mind in the next seven hundred odd days, we will be able to understand what the end of the Mayan Calendar means but moreso - simply how to be human and humane to each other within this time. If a more sizeable "end" is coming, aside from a piece of ancient technology stopping functionality on December 21 2012, I'm sure that what is going to happen next is going to require that humankind be wiser and more benevolent than right now...

A strange quirk of the human mind is that - when confronted with horrors, it copes sometimes - in ways which makes us worse human beings. ie: we see war, murder and death, then our mind copes in a strange way by dissociating - which makes us capable of witnessing and performing greater acts of horror...

The way out of this tendency is AWARENESS and HUMANE-NESS and if poetry doesn't bring you to awareness and if Blake's particular brand of poetry doesn't bring you to humane-ness, many of us are going to remain truly as lost and in as much chaos as Blake asserts in the beginning lines of this particular poem...

Again, the lines are:
"Everything lives in motion
Everyone is lost in chaos"

If we can overcome our dissociations, people can't rule us in markedly detrimental ways. We'll either dissociate and fall down in our inability to confront horror (this will stop us from acting in any way that is detrimental to another human or living species - nobody can die or be harmed by our hand this way) or our minds and bodies may find a better way to cope and stand aware against detriment to our human species.

We can start preparing our minds for mindfulness and benevolence - by learning...

Go read the poem and start navigating through the concept of understanding!


The Day 713 post is associated with Friday January 7 2011.

Saturday, January 1, 2011

Day 723 (Tidbits)

Okay, so now there could be problems...

After reading the Day 723 content over on THE 800 DAYS BLOG, I find I actually disagree with the words... what's worse is, I haven't much of a leg to stand on because I'm arguing with poetry lol.

Damn, why does Blake have to write so much darned poetry all the time?

(I'll get back to this later - soon)

I do not, however, disagree with two versions (2 vids, different versions of the same tune) of Stairway To Heaven presented on the entry! WAAAAY COOL - the 2nd offering is with "Gregorian" vocalists! Nice.

Okay back to the disagreement stuff. Warning: I won't "win" this argument, it's not possible.

1. Poetry (according to mythbuster and not less than a few hundred THOUSAND others who study poetry) expression is more powerful and lasting than my argument can be, partly because it is a form for expression and, well, things must be expressed freely in order to facilitate commucation, messages, understanding and SOCIAL RELATIONSHIPS... the poet, of course, begins the interaction and, as such, has the most rights in a disagreement. Besides after both the poet and dissenter are gone, the poetry still stands 'cos it was sent out into the world.

My interpretation (the reader) and reaction to the words/mood is always in relation to the first standing words... Poetry and words of the poet have the right to exist more than I have the ability to solidly disagree with the words.

Added point: the only right and priviledge that I have that the poet may NOT take away from me is - my interpretation of the work. The poet loses the right to be perfectly understood as soon as he/she issues the words, in any form (Michel Foucault's theories on poetry/language and social interactions, which I adhere to). A poet may only say what he/she intended but must not interfere with how another mind interprets... Fortunately for Blake, unfortunately for me, the poem says what it says.

Still, there is always truth in poetry...which trumps my reaction to it AND my opinion of it will always be a side-effect of the poetry while the poetry is what it is...

I've been asked a question for the past 5 years and received the same accompanying comments along with the question: Why don't you write more poetry? Your prose is often poetic, so why not just write poetry?
Answer: (short) cos' I'm a control freak lol !!!
Long answer - I want my words interpreted how I mean them and, although I love poetry, study it, use it, I am intimidated by both the power of it and the fact that once I issue it forth, it is not mine anymore. With this in mind, I'll have to say that Blake is braver and more open than I, I suppose... I am, however, still learning to interact with poetry in a more open way... I believe that once I gain clarity in my writings and am satisfied with this aspect in writing, I will feel more comfortable writing poetry and not feel I have to have so much control).

Now where was I?

Ohyeah - the exact issue of disagreement

2. What the words say to me:

"to never apologize for the burning of books." This hits a raw nerve with me as I am a collector of words (narrative, urban legends, witnessing/accounts of abuse and distress (as a mentor), Native story circles, etc) and I am part Native (Cree). Words are sacred to me (as they are, too - obviously - with Blake). The nerve part is probably that I am part Cree and understand a great deal about entire cultural references - including words - that have been obliterated, unrecoverable - from Cree culture and other Natives.

I'm probably having a hissy fit over just that one line - in fact it is just that one line that I abhor!

PROOF of the power of poetry.

I just wanted to stop and make the hissy fit as an explanation of the power of poetry because I feel that poetry is so often misunderstood as an art, as a vehicle for important statements, as a political vehicle for expression of ideas and emotions, and more. Poetry is so much more powerful and sacred than the average person knows or learns...in fact, "The Arts" are often (ie: book burning) attacked due to peoples' fear of their power.

I'm done my hissy fit and almost done my rant and will now jump over that one line that stirred so much (dare I say) aggression, discomfort and disagreement for me.

The poem, Burning Books , link supplied so you can have a look.

I do understand that the narrator of Blake's poem - whether that is intended to be Blake himself or the anonymous, unknown voice of the poem's speaker - is providing a possible viewpoint that says something like, "you likely couldn't read all those books that were burned, anyway" and "many were filled with lies, anyway" and those are also true statements...

However, in my experience, the act of burning books is a violation against humanity - not just the group/author of the books whose books are burned. It eliminates a fundamental human process - that of the experience of critical thinking and decision-making about what is or is not truth. The violation is an opportunity violently stolen away from every generation, past, present and future...with no opportunity of negotiation on this act. A book burned eliminates the past, robs the present generation of a truth or non-truth which must be sorted through, and obviously robs the future generations of the truth and non-truth, as well.

Strangely enough, this post has been a little exercise in working through the emotions that poetry stirs up and I find that writing it all out has provided a release for the original disagreement/anger-reaction I first had many moments ago...

I knew this would be an exercise as I began reviewing the Day 723 post - and whether this looks strange to most or not, I hope this writing shows the power of poetry. In the end, right about now... by having addressed the issue I had with the content (even just one line) this process has had a cathartic effect on me (Aristotle said this catharsis brought about via the arts is of tantamount importance to human beings, relationships, community, etc) and I am accepting of even the problematic line as I near the close of this post.

Originally, in my anger, I wished to bolt from the computer - come back and finish posting later. I felt this would not have been an honest action, nor helpful (conflict is difficult for me to deal with, particularly cerebral dissonance... I couldn't sit with liking Blake but, originally, hating one line of text that came from Blake) in my daily routine today - So I resolved to work through this problem.

How do ya like me now? Hissyfit and all?

As you might have guessed - the problem was never a "wrong" in the poetry - it was within my triggers, belief system, within myself - but the presence of poetry can be cathartic, mind-opening (my anger closed my mind and shut down critical thinking at the start of this post)...and extremely valuable and therapeutic for people - IF - they run through the entire process of running through the arguments on why they feel the way they do instead of bolting (like I felt like doing, initially).

The Day 723 post has been a cool exercise in humility, brought to you by the funny monkey above and is associated with The 800 Day blog and the date of Tuesday December 28 2010.

Thursday, December 30, 2010

Day 725 (Tidbits)

There are two displays on THE 800 DAYS BLOG for the Day 725 entry.

First off, there are some pics displayed (artwork by Falon Jones) - and then another poem by Blake Hall...called Necronomajia.

My favourite lines of the Necronomajia piece are (the last 5):

"It's changing my mind and it's changing my goals
And sometimes I wish it would just tell me
What I don't want to know...

Is it golden, is there silver in gold
Life is hopeless but the riddle is old"

Now it may or may not be significant that at the end of the last line, there's no period...

Regardless of whether Blake made a typo or not, to me, within the context of this piece being poetic, the lack of indication to "stop" as a punctuation mark, the period, commands - means that the entire last sentence is up for discussion, pondering over, consideration. Therefore, "life is hopeless" might be up for discussion rather than a conclusive, final statement. Also, it may be up for discussion, this riddle, its age - or maybe the un-ended statement (considering it without a stop/period/end) means the riddle is timeless and not bound by the constraints of our perception of time.

The last two lines, the words, "Is it golden, is there silver in gold - life is hopeless but the riddle is old" are both "questions" and statements...

There is no actual punctuation question mark, either - so by form, the words are a statement but by context, they are questions. As statements - something is golden and something else precious is in gold. As Two questions: Is it golden? Is there silver in gold? The last identifiable concept I can backtrack to is that the poet is speaking of a soul (the narrator's soul - might not be the poet himself - but is the character/speaker/narrator within the poem)...so, perhaps the soul is golden, according to the narrator within.

Luckily, a question is being asked - not only giving the reader permission - but actually commanding the reader to think about this concept... for me, punctuation cues in poetry are usually commands. Punctuation is often used in place of a word or to emphasize concepts that a poet has condensed the words for or used where a poet has taken away words - so I take every question mark and contextual question very seriously in poetic works - as a command to actively ponder the question.

"[...] And sometimes I wish [...]" occurs prior to these last lines, so the concepts in these particular words are important because they are stated more than once - within the confines of condensed poetic ideas. Often, with poetry, words are excluded, concepts refined down to as few words as possible - sometimes poetry is very much like a puzzle intended to be sorted out by the author...so when words repeat, I have learned that this often means the repeated words are some of the most important in the entire piece. ie: poets, stating one thing ONCE, rarely need to repeat a phrase or word unless doing so is an act of emphasis or contrast. Here, I think the said words are for emphasis. Also - there are two different wishes repeated - a lot going on here.

1 wish: To be left alone
2 wish: To be told something

The title, Necronomajia, in my opinion, must be Necro+Magic together. Magic. Death. Death leading to Magik (death to life - magic is often equated with energy/life). Death is Magick, and magic, since it is everywhere, belongs with death/life concepts. (Blake will have to correct me if I'm interpreting grossly wrong here). The term makes a lot of sense and has impact upon the senses when broken down like this... thus, Necronomajia is a written, poetic work about DeathMagick and ends with no end (period).

Very interesting.

I'll have to build a better summary later - the poem has given me a lot to think about and I'll actually have to go doodle this out a bit on paper...

Read the poem in its entirety on The 800 Days blog... let me know how YOU interpret the poetics.

The Day 725 post is associated with Sunday December 26 2010.

Wednesday, December 29, 2010

Day 729 (Tidbits)

I'm going to go ahead and post some quotes I believe in - right before reviewing the Day 729 entry on THE 800 DAYS BLOG.

Why would I do such a thing? Well... just so you get the IMPACT of what Blake does...

The quotes:

"Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular. "
~~Aristotle.
"Poetry is not an expression of the party line. It's that time of night, lying in bed, thinking what you really think, making the private world public, that's what the poet does."
~~Allen Ginsberg.
"Poetry comes nearer to vital truth than history."
~~Plato.
"When a poet's mind is perfectly equipped for its work, it is constantly amalgamating disparate experiences."
~~T.S. Eliot.
"Poetry doesn't belong to those who write it, but to those who need it."
~~Unknown.
"Poetry is an echo, asking a shadow to dance."
~~Carl Sandburg.
"Poets are masters of us ordinary men, in knowledge of the mind, because they drink at streams which we have not made accessible to science."
~~Sigmund Freud.
Unfortunately, of my fave quotes, almost all of them come from old, dead dudes - lol. I feel that in our current day and age, POETRY AND POETICS are a lost art, misunderstood and greatly undervalued. In ancient times, a great deal of time was spent on poetry and poetics in education systems. Today, many youngsters equate "poetry" with only "rhyme" that occurs at the end of every couple of lines of text or so, using the most commonly rhymed words - while alliteration, syllabic structure, apostrophe (not a punctuation mark - but an effect in poetry), synechdoche - techniques and effects - are largely ignored and even unknown to vast numbers in our civilized population.
I'm not sure how much Blake has studied poetics but his knowledge of how words go together, sometimes quite artistically - sometimes in powerful prose for effect - is worth looking at within the context of the quotes above...
Just take a few moments, please, and chill... letting the quotes above sink in... before continuing on to Blake's 800 DAYS blog.
What awaits on The 800 Days blog is
POETRY
Three Sections of Expression by Blake4d on The 800 Days blog await: "Autogenesis," "My Religion Is Not What I Want," and "Of Starlight, Crimson, and Scarlet: The Last Prophecy."
The Day 729 post is associated with Wednesday December 22 2010.